Advice on coloring by Noam Osband on May 25, at 6: Advice on coloring by Brett Sherman on Jun 11, at And to be clear- using the scopes on a desktop monitor isn't nearly as accurate as real output to a REC broadcast monitor. Advice on coloring by Jeff Kirkland on Jun 9, at 7: How should I adjust my blacks? Also, don't get too hung up on what it's supposed to be. 
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Advice on coloring COW Forums: Anything below black will flatten out on a broadcast monitor. Still using Hycolour Pro and my own Shadow-Highlight colirings for that.
Advice on coloring
And to be clear- using the scopes on a desktop monitor isn't nearly as accurate as real output to a REC broadcast monitor. Looking at the waveform in the screenshot, if you're out to be technically correct, I'd raise the blacks a little more - you're crushing them just a little.
Advice on coloring by Brett Sherman on Jun 11, at Crush blacks, blow out the highlights, throw on a LUT, make the shadow purple I almost feel like I should lower the blacks more, and let faint traces go below 0.
Advice on coloring by Coloringgs Kadner on May 25, at 7: Also, don't get too hung up on what it's supposed to be. If you're using the FCPX color board, I'd apply a broadcast safe filter to cut off the below zero and above Here is a screenshot: Advice on coloring by Chris Wright on May 26, at Advice on coloring by Oliver Peters on May 25, at 8: Colour correction is really a two stage process.
Noah, So, in the context of the photo I uploaded, does that mean you wouldn't drop the shadows any farther? Second pass, go for whatever look you want. But still find it not terribly useful for taming highlights or getting more detail in shadows.
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If you have Color Finale, you can use the curves to deepen the blacks without them going below zero. I can have the lowest black be at 0 but, if I do that, most of what seems the base of the darkness is not tcp 0. Advice on coloring by Noam Osband on Jun 8, at 8: Attached here is a screenshot.
As you grade, you will occasionally exceed 0 and First pass, get the image technically right - white whites, black black, colour cast removed, saturation normal, etc. How should I adjust my blacks?
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Advice on coloring by Noam Osband on May 25, at 6: So only make the upper part of the lows darker, after you set your black point In the real world, not everything that our eyes read as black is actually pure black and it looks like that image just may not have a lot of absolute black in it. As I said earlier, you may decide to crush some of the blacks to amp up the contrast but that's where the creative part of grading comes into play.
Advice on coloring by Jeff Kirkland on May 26, at I don't have Color Finale but I'm thinking of taking the plunge. I know as a general rule, you don't want the blacks below 0.
Does anyone else find that anything but subtle curve adjustments in Color Finale causes colors to go really strange?
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